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Iorich – Spoilers [Jan. 6th, 2010|02:59 am]

skzbrust

Place to discuss Your Itch.

Originally published at Words Words Words. Please leave any comments there.

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TWoN Book 3 Chapter 5 [Jan. 6th, 2010|02:39 am]

skzbrust

p 392: “…every branch of trade in which the merchant can sell his goods for a price which replaces to him, with the ordinary profits of stock, the whole capital employed in preparing and sending them to market, can be carried on without a bounty.”

This is not the first time we’ve seen that phrase, “the ordinary profits of stock.”  But what, exactly, does it mean?  Smith appears to believe that, when money is productively invested, a certain amount of profit is natural and normal.  What determines this amount?  What is the percentage, and why?  For someone so precise in other things, this vagueness really stands out.  It goes back to his assertion, in Book 1, that the value of commodities comes from wages, rent, and profit.  In fact, that is how (most) of the value is divided after the sale, but it isn’t it’s source of the value.  There is no “ordinary profit of stock.”

Later, he makes another fundamental (thought perfectly understandable) error.  On page 397, speaking of corn (ie, grain), he says, “It regulates the money price of labour, which must always be such as to enable the labourer to purchase a quantity of corn sufficient to maintain him and his family either in the liberal, moderate, or scanty manner in which the advancing, stationary, or declining circumstances of the society oblige his employers to maintain him.”  And further down, “The money price of labour, and of everything that is the produce either of land or labour, must necessarily either rise or fall in proportion to the money price of corn.”

In other words, because grain is the staple food, it controls the price of labor, and the price of labor controls the value of commodities.  But even in his day, the cost or price of labor (wages), insofar as it was determined by the cost of necessaries the worker, was also determined by the price of wool, leather, furnishings, cotton, and all of the other things consumed by the worker.  Moreover, the value of a commodity is determined by the value of labor (measured in time), not the cost of labor.  Raising the value of basic necessities effectively lowers wages, but this does not change the value of those commodities (whether expressed in labor-time, money, or even grain).

Originally published at Words Words Words. Please leave any comments there.

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Tomb [Jan. 6th, 2010|02:17 am]

mrcolossal
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I totally forgot to post a page yesterday!

I've been working in game maker and holy crap am I having fun. I feel useful again! I'm still having problems with collision and getting my dude to land on platforms the way I want him to but I moved on to the flying mini-game section and it pretty much all came together in about 5 hours on sunday. I've just been setting it up to actually be useful and easily tweakable for gameplay.

Here's a screenshot!



Anyway all of this will show up in the RSS feed so I should stop posting images... NOW!

Eric
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Lynn Lau's winning entry [Jan. 5th, 2010|08:59 pm]

hopelarson
I just got permission from Lynn to post this, so here it is!

In 1859 I would be one of the Chinese immigrants settled in the Malaccan straits. Dad would be in his element playing the middleman between local merchants and British colonials, while I'd help my mum supplement the family income by weaving mengkuang mats (and to her great exasperation, I still would not sit like a girl). It is a time full of change as new cultures and governments intermingle, and I would feel the barest inkling of some sort of pull that, not too long later, I imagine would draw me away from home and out into the world.

Illustration behind the cut )
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MERCURY contest winners! [Jan. 5th, 2010|01:04 pm]

hopelarson
Most people did a writing/art combo, so the lines of the contest were blurred a little bit. Regardless, my favorite entries were these:

[info]krishnaa's entry about living in India, here;
[info]meeleena's awesome drawing that she should expand into a comic, because I'd read it, here;
[info]ducttapesnakes's written/drawn entry about being biracial in 1859, here;
• and Lynn Lau's written/drawn entry about Chinese immigrants living in the Malaccan straits, which I'm waiting on permission to post here.

You four are getting books, so please send me your addresses when you get a chance!

Everyone else, thank you so much for entering! All of your entries were wonderful, and I had a tough time narrowing it down to four. I wish I could give you all books. ♥
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Amps is done! [Jan. 3rd, 2010|11:04 pm]

qcjeph
I was glancing over iTunes today when I realized "whoa, 8 songs, almost exactly 45 minutes of music...I have a new Deathmøle record finished. Holy shit I've made five of these fucking things?!"

Anyway, here's a convenient .zip of all the mp3s if you'd like to download them in one big chunk. Click the cover art:



Let me know if there are any problems with the zip or the downloads. If people enjoy this distribution method I might zip up the older stuff and put that on Mediafire as well.
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Sketches from oh nine [Jan. 1st, 2010|06:09 pm]

mrcolossal
PEOPLE OF EARTH! I have come to show some sketches at the insistence of my girlfriend [info]finkenstein ! So here we go!




MORE BELOW THIS HERE CUT! )

I started doing sketches in ink and avoiding pencil. Something about the big thick ink with no undo helps me draw.
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Tomb [Jan. 1st, 2010|02:32 pm]

mrcolossal
[Tags|]



HAPPY NEW YEAR!

Some fireworks for you!
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Tomb [Dec. 31st, 2009|03:43 pm]

mrcolossal
[Tags|]



Click to read from the beginning

So I totally forgot to post a comic on Tuesday so I will post one now and then one before I leave for New Years festivities!

I have the week off from work and all I have done is played Modern Warfare 2 all... damn... week. When people ask what I'm doing with my time off I just say "Dude shooting" and leave it at that. Our cat Bear has become my Dude Shooting helper, he will lay in my lap or try to lay on my chest and then he will paw at the controller. Either he wants me to pet him or he wants to play. So I let him play for a little bit and he now outranks me in the game.
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A Softer World likes watching the puddles gather rain [Dec. 28th, 2009|12:35 pm]

untoward
http://www.asofterworld.com/index.php?id=516

Back to the world.
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Win an advance copy of MERCURY! [Dec. 28th, 2009|09:51 am]

hopelarson
I was thinking of doing a basic names-from-a-hat drawing, but I'm not going to let you off that easy! Oh ho ho. Here's what you've gotta do:

Tell me about your life in 1859.

If you're 18 years old today, imagine you're 18 years old in 1859. If you're 32 today, you're 32 in 1859. What would life be like? You can choose to be historically accurate, you can make it all up, or you can go the randomly-transported-back-in-time route. But you can't be 18 years old on Middle Earth or Krypton. Regular old Earth is interesting enough.

You can draw a picture, or you can write an essay/character sketch/short story. There will be two winners chosen in both the drawn and written categories, and all winners will receive signed, personalized hardcover copies of the book.

Deadline for entries is January 4th, 2010, and I'll announce the winners on January 5th, 2010–Mercury's original pub date! You can post your submissions in the comments here, or if you're shy, e-mail them to hope@hopelarson.com.

Get cracking!

EDIT: This is open to people everywhere, not just the US and Canada.
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home for christmas [Dec. 27th, 2009|04:26 pm]

untoward
It's weird coming home for the holidays. When I am around people I haven't seen in years, I behave the way I was back then. And so do they. I'm not sure why I do it. Maybe it's easier to just fall into old habits then take the risk that you might not like the new versions of each other? Or maybe it's just easier to not make the effort. I've grown and changed a lot in the past few years, but when I'm back in Halifax, it's hard not to act like the old me, and it's unnerving as fuck. So I come home less and less often. I like the new Joey more. I look better naked now, for instance. I don't know how that happened. Maybe nobody looks good naked until they leave their home town. Or anyway maybe it's hard to believe you look good naked until you get away. Maybe it gets easier to believe once you go somewhere new and you get to be who you are, instead of who you had to be in order to get by where you were.
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#262 - "Chafed Dickens [5 of 5]" [Dec. 25th, 2009|01:51 pm]

hardartist
#262 - "Chafed Dickens [5 of 5]"

The finalle to the Chafed Dickens storyline, and the last strip of 2009. I wish to thank everyone for the support in this 10th anniversary year, and those who cheered me on during this Christmas Weekly spurt. Have a Merry Christmas, a great holiday season, and see you all in 2010!

This final strip in the Chafed series underwent some changes since I first mapped it out several years ago. It was originally intended to be a Mark and Mike strip, with the two of them discussing the dream. Mike wonders if he learned the obvious lesson, but Mike replies, "Who could concentrate on what they were saying? Those woman were hot wank material!" However, I decided to change it when I saw inspiration from an online "critic":

"The problem with OEL is that IMAGE comics, that Ninja High School guy, MegaTokyo, and Scott Pilgrim, already came up with the idea of stealing anime and manga ideas and art first. [And if I want to really be a dick about it, the Sexy Losers guy, which is why he's resorted to Kevin Smith-style humour to cover up his weakness in character development. Although I will admit that Japan did rip off his magic sex doll idea with that manga and movie..." from here, emphasis mine.

Weakness in character development? This made me do a double take. I've heard this criticism before and it always struck me as an odd criticism to find in a gag comic. Sure, the characters are all two-dimensional. That's because in a gag comic, the gag is more important than the characters -- the characters existence is to get to the laugh. Initially I tried hard to not have a lot of recurring characters, but I found that established characters were handy as a shorthand towards jokes. In a four panel comic, the less explanation one needs to get to the punchline, the better.

Since SL is a gag comic, I've strayed from developing any characters to maintain that shorthand. Mike jerks off anywhere and anytime. Mrs. Shibata is a horny housewife. Chie gets semen in her face. Touro fails to get Madame X in bed. That's all you need to know about these characters. Developing the characters any further would ruin them utterly, and SL would change from a gag comic to being another pseudo-love opera. The characters would learn and grow, and well, let's be honest, learning and growing is a lot less funny than fucking up.

So FUCK character development. It was never my intention to do a happy-good-feely comic with characters that you could laugh and cry and otherwise identify with. This is potty humor. This strip is an acknowledgement that these characters are icons of their idiosyncrasies and nothing more.
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Tomb [Dec. 24th, 2009|02:30 pm]

mrcolossal


Click to read from the beginning

I quite like this page a lot, and not just because there is a butt in it. I bet this is the best poo this dude will ever take. If I'm ever having trouble going to the bathroom I have Jess run into the room and start shooting a gun wildly at the floor and ceiling.

It helps!

Also, MERRY CHRISTMAS SMELLIES!
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TWoN Book 3 Chapter 4 [Dec. 23rd, 2009|02:27 pm]

skzbrust

This very short chapter deals with drawbacks.  I’d have had an easier time of it if I knew what drawbacks are.  Next chapter is about bounties, and the same applies.  As near as I can tell, a drawback is a refund of a portion of whatever duty is charged on export.

Page 389: “They tend not to overturn that balance which naturally establishes itself among all the various employments of society.”  My problem here is that it doesn’t make sense to me to speak of some sort of natural balance of employments and then see interference by the State as external to this; the State is an integral, inevitable part of capitalism, and when it interferes in the market, it is (to the extent it does so successfully from the point of view of the capitalists) doing exactly what it is supposed to do.  It is like trying to understand the movement of an orbiting body by examining the centrifugal force, but seeing gravity as an unnatural interference.

Originally published at Words Words Words. Please leave any comments there.

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The Enigma of Amigara Fault [Dec. 23rd, 2009|11:55 am]

mrcolossal
Hey fellows, I found this comic online that is good and I wanted to share it

The Enigma of Amigara Fault by Junji Ito. He also did Uzumaki. Also there is this delightful little quote from wiki about him:

"Like fellow manga artist Shintaro Kago, Junji Ito's work is concerned with confronting and destroying the sacredness of the body." oof! What a quote! Shintaro Kago is also pretty awesome, heads up on that one!

Anyway, here is the link!



The Enigma of Amigara Fault

When you want to read a page hit "Full Size" at the bottom of the gallery.
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A Softer World is putting the salt down. [Dec. 23rd, 2009|09:58 am]

untoward
http://www.asofterworld.com/index.php?id=515

Seasons Greetings from all of us here A Softer World. We've had quite the year, haven't we? It's been a bit of a roller coaster. But there were peaks as well as valleys. For every unwanted pregnancy there was a fortuitous tumble down the stairs, and for every human trafficking police sting operation there was an incompetent handling of the evidence! Another year has come and gone, and neither of us have ruined our lives yet. We hope you're full of high proof cheer
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